Abstract: Venice Architecture School

\n\nSansovino (Sansovino; Ýðî own, Tatti) Jacopo (07.02.1486, Florence - 11.27.1570, Venice), Italian sculpturer and intriguer of the risque and Late Renaissance.\nHe studied in Florence A. Sansovino. He gained in Rome (1503-1510, 1518-27), Florence (1510-18), from 1527 - in Venice and Padua (1529 chief architect of the Venetian Republic). architectural echoed by Sansovino in Venice [Church of San Francesco della Vina (since 1534, the frontal was built by A. Palladio, 1572), depository library of St Marks, Mint (called Dzekka, begun 1536), the Palazzo box seat (from 1532)] are divers(prenominal) profuseness profiles, rich graven and sometimes beautiful decoration, subtly subordinate architectonics home.\nIn the sculptural works of Sansovino painterly chiaroscuro modeling organically connected with the discerning expression of imagination (Bacchus, marble, 1518, National Museum, Florence, and 4 statues on the window dressing Lodzhetty in Venice, bronze, 1540 -45; statue physician T. Rangoni on the facade of the church of San Giuliano in Venice, bronze, 1554).\nPalladio - Renaissance idealogue and practitioner\nPalladio, Andrea (Palladio, Andrea) (1508-1580), promulgated by the Italian architect of the new-fashioned Renaissance. The example of his unsubdivided and elegant constructions, he demonstrated how the skill of antiquity and the elevated Renaissance ( well-nighly in the Roman version) washbowl be germinally recycled and used, that classical linguistic parley of architecture make public and universal. His fuck was especially expensive for architects 17-18 centuries. Fol subalterners of the esthesis created a thin out in European architecture, dubbed palladyanstva.\nPalladio was born November 30, 1508 in Padua, and soon the family travel to Vicenza, where the ground and proceeded his creative activity. Humanist Dzhandzhordzho Tryssyno (1478-1550) became his partner and persuaded to change the evoke of the architect An drea di Pietro (Andrea di Pietro) on screen ca-ca Palladio (from hrechok. Palladion: the so-called statue of the goddess genus Athene Athene, who, according to the beliefs of Athenians, protected city ​​from the enemy). Thats the advice Tryssyno upcoming architect went to reflect in Rome, and on his return became historied humanist its firstborn customer. In 1545 Palladio won the competition for the unspoiled adjustment Cornflowers in Vicenza. The two most important areas of his work was the whirl of town houses (called palazzo, or palace) and inelegant residences (villas).\nBy the earlier period of Palladios villas accept projects in Lonedo historic period (1540) and Pyzany in Bagnolet (1544). In both cases, he created wonderful examples of communication architecture and the internal landscape. Ability to stress the harmony of the building, skillfully placing it against the backdrop of the delightful Venetian landscapes, it was helpful in the future ten se in the construction of villas Malkontenta (1558), Barbaro in Maser-Volpi (1560-1570), Cornaro (1566) and at last villas Rotonda ( or Capra) in Vicenza (1551-1567). The latter is astray considered the architect of the building made. Its square, house with loft six-column portico on from each one facade. All 4 porticos lead to rotary central hall, cover with a low dome under a tiled roof.\nIn the goal of facades of houses and town homes Palladio normally employed outstanding order, as heap be seen in the Palazzo Kerykaty in Vicenza (1550). considerable columns rising to a stylobate (stone slabs footings) - of course, as in the Palazzo Valmarana (begun in 1566) and the unsmooth Sunrooms del Kapytanyo (1571), is very high, it is riveting the first floor, as in the Palazzo Thien (1556 ).